All posts by Peter Terezakis

Channeling Calder

I’ve been working on a reproduction of  a 1955 Alexander Calder work since the beginning of the semester.  This particular work is of interest to me as it is a clear hybrid between Calder’s stabile and mobile vocabularies; the sweeping forms reminiscent of a landscape and his planetary balancing acts of gravity.   As someone who designed jewelry for a living, I like the idea of keeping the finished work under four inches in height.

With clear Constructivist roots, signature color schemea, and a continually playful spirit, Calder was one of my favorite kinetic sculptors.   I always liked the fact that while a peer of Duchamp, Tinguely, Gabo, and others who embraced electrical assistance in their work, Calder chose not to go that route.  While he did experiment with motors in early sculptures, that technology was abandoned in favor of aleatoric movement from naturally occurring forces of gravity and currents of air.

Within this pile of cut-outs is an homage to Alexander Calder….

There is a 1955 model of a Calder mobile in here

Universal Unlimited Command & Control Console

Universal Unlimited Command & Control Interface, part 1.

Dreams are meant to be channeled here.  Creative thought engendered through haptic, auditory, and visual feedback of a polyutilitarian assemblage of electronic and mechanical components.

Here is version 1 after laser cutting and bonding of acrylic:

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A friend remarked that it was difficult to see.  I tried to explain the transparency of function aesthetic and was met with a blank look.  The image below should make the interface easier to see.

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If you still have difficulty, here it is on its own.  Unfortunately, I have run out of nuts to fasten the binding posts and banana plugs in place.  This is a giant bummer.  I have containers of them at my studio in San Diego.  Looks like time to break out the hot glue.

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I’ll start soldering tomorrow after I install the rest of the contacts.

 

 

 

 

ITP challenge?

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So this has been done.     Greg Gage’s Ted Talk is interesting.

I wonder if there is anyone at ITP interested who will consider upping the ante from insect to experimenting with a small mammal (cat or a dog)?   I see this as not only a possible road of exploration post-ITP, but as an inevitable milestone on the way toward a future where society will be able to use those deemed as marginally functional human beings as remotely operated droids.

Like evolution, corruption is a gradual process.   There is a certain irony in that the “youthful blasphemy” of H.G. Wells’s nineteenth-century Dr. Moreau, created the possibility for the twentieth century’s otherwise unimaginable Dr. Mengele.  And in like manner in the second decade of the twenty-first century, what has now become commonplace and taken for granted was once considered horrific, monstrous, and/or obscene.   I’m sure you can think of  a few examples.

What was once in the realm of science-fiction, fantasy, or horror is an inevitability.

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Remember what Jean Luc said…

Tarantula Hawk

Saw this while off-road biking with my friend John Flood in San Diego’s Mission Trails Park this past August.  I didn’t know what it was as we don’t have any of these (any more?) in the Connecticut-New York-Pennsylvania area I grew up in.  But John knew that it was both called a Tarantula Hawk and that it was a spider wasp.  I know insects are strong.  But watching the wasp drag a comatose tarantula through the grass filled me with respect, awe, and a more than a little gratitude that insects are currently sized as they are.

[quicktime]http://www.terezakis.org/itp/video/tarantula-hawk-mission-trails-sd-2013_7225.mov[/quicktime]

This is my Laser…

Well, it’s not mine.  Just the one that I am able to use while at ITP.  Nonetheless – it is AMAZING!
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Here are some tips that I have learned from others and from experience.  I hope you find something useful in here.

Learn Illustrator!! You can work in any version of Illustrator – but you need to save your file as a 5.0 version for the system to print.  Draw so you can see things, but prior to printing set your vector lines to (stroke color) to 255, 0, 0  (ff0000), .01 point in thickness.

You can bring your files to the work station on a USB, email them over, etc.

Follow the ITP materials cutting guidelines for speed (rate of mirror travel), power (strength of laser), and frequency (firing time per second of laser). Do not get creative with these settings.

NEVER leave the laser when running!!! It can and has jammed resulting in fire.

I use my own eyewear as a rule (No telling what was crawling around the previous wearer’s eyebrows/eyelashes!).
(not my eyelid!)

It is always good to drill/cut a test hole before cutting your material.  Had I remembered to do that today, I wouldn’t have had to run the machine for three passes.

On a separate file just make  small circle or other shape in area which you have reserved for testing.  Running your test will let you know if you have the settings correct for your material (thank you, John Duane!).

After the laser returns to its home position, allow the system to exhaust the fumes for at least two minutes before opening the hood.

Use sticky tape to pick up your cut parts from their matrix. If they haven’t cut all the way through, you can re-run your cut without moving your material any more than you necessary.

Cut a stack of material for prototyping and have it at the ready.Dick Blick, Bond Street

I use the material at Dick Blick Art Supplies which is a couple of blocks away from 721 Broadway.  Paper is located downstairs back left side (South East corner) of the store. I use the material which as of October 2013 costs $3.99 a sheet.  Every once in a while, I buy a few sheets, store them flat, and am ready to go.

It can take me over an hour to go out of my way to the store, pull the material, stand in line, pay for it, wait for someone who isn’t busy to go to the register where I paid for material, wait for them to take the material downstairs, cut it, then walk upstairs again to hand over the  paper.  Yes, I keep the cut-offs/scrap to use as well.

Blick charges .50 per cut after the first cut.  For less than twenty-five dollars I save myself aggravation, stress, and time: variables which will only increase as the holidays and project deadlines approach.

The good thing about working this way is that once you dial in how you want your material to be cut, the settings should be the same for all your pro to-typing (no three time cutting!).
Stacked and ready to go!

Should/when you purchase acrylic for cutting, there is a difference in the material’s behavior between cast and extruded.  Cast acrylic cuts/machines  cleaner on both the CNC and the laser.

Bits, bytes, parts, pieces, and (sigh) not a spark in sight.

This post is a compilation of a series of Physical Computing exercises. I confess to having allowed them to build up (mea culpa, Professor).

The first image is from an exercise where we read varying resistance into one pin of the Arduino.

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In the image above you can see that I have a Light Emitting Diode (LED) on my board which isn’t the wiring diagram for the project.  I often use LEDs to make certain that what I am working on is powered.

The image of the board below shows the convention of wiring as I read: left to right. To the left, red is high. To the right green is ground. Rotating the test fixture a quarter turn puts the Arduino at the top, ground at the bottom. Pretty similar to printed wiring diagrams/schematics.


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Going slightly off-tangent, I believe in the power of hot glue, which is actually not a glue at all.  Hot glue is a relatively low-melt plastic which is used as an adhesive. I have to make a separate post about hot glue and its use/misuse in the studio.

Great tool if you use it right. It will take your skin off if you do not. As with every tool, you must pay attention to what you are doing.

In this image below you can see that I put a generous dollop on the back of an 8 ohm speaker to hold a power connector in place. Yes, this is waste of a connector. But since I am powering the Arduinio via the USB cable, I had a perfectly good connector available to use on the board. I also didn’t have any self-adhesive velcro which I use from time to time.

BTW – once in a while (more often than not, really) things don’t go quite as you think they should. I’ll leave you to cite your own examples. But this uncertainty is part of building anything.

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After running the PWM code for the circuit under test, I kept getting inconsistent results. No longer able to afford pulling one single hair out of my head out of frustration, I was able to call on Professor Feddersen. Jeff came over, took a look around the board, asked a couple of questions, and somehow we looked at the connections to the speaker. Turned out that one of the connections had ALMOST broken loose and was held in place only by a tiny bit of PVC insulation. This was the cause for the intermittent and eventual total failure of the speaker’s operation.

After thanking my professor, I resoldered both connections AND – as you might have guessed – hit them with another generous helping of hot glue. Here the hot glue not only acts as an electrical insulator. It also acts what is called a “strain relief.” The stranded speaker wires are allowed to flex within their length as they are moved about – not at the solder joint which could (did) easily break free.


The image below shows a terrible use of a male-male header strip, hacked into submission to become an electrical connector. The cool thing about header strips is that the pins (these are square for wire wrapping) are plated to not only prevent oxidation, but also to be easy to solder (yay!). The pins are also on .10″ centers – just like the holes on the experimenter board.

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Yes, I feel guilty about the profligate waste of space and material. Usually I am much more frugal with materials. But – there was a bin of them and they looked so… available!

This means the header can be pressed into the experimenter board with relative ease. Bad thing about the headers is that they are not designed to be used the way that I am using them. This means that they will easily snap (they are actually designed to do that!). You probably know what that means? Yes. More hot glue to the rescue. Again the molten plastic will keep the wires from flexing at the solder joints and, as a bonus, the plastic will help to prevent the strip from breaking apart.

Hot glued header

You can see from the photo that I used several pins for each of the four connections which I needed. I could have done with a lot less wasted space. But there weren’t a lot connections in the project and I wanted to have more mass and material to work with than less – especially given how delicate the part was.


Building these homework projects was a little frustrating. I didn’t have all the correct resistor values in my NY studio.  Unless you are fortunate to have walking access to unlimited proto-typing resources (you should have seen what they had available at Bell Laboratories!!) challenges will present themselves when converting an idea into a physical object  whether you are in your studio or on location far from home.

When you start building you need to be able to use everything around you to get the job done (before the opening!)  and not go running to Radio Shack (or crying to  your mom).

Factoid #3,456: Improvisation is one of the keys to successful hardware hacking.

Resistors are about the easiest thing to work with. They are inexpensive when you buy them in bags/boxes of 100 – 1000 pieces.  I use a lot of 1/4 1% metal film resistors.  There are other flavors (carbon, wire-wound, non-inductive, etc) but for most of my applications, this is what works for me.

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At the bottom of the image above is an example of how resistors in series will add their value – put twelve 220 ohm resistors together and you will measure 2640 ohms (2.64 k).

In parallel (like in the image below) their value goes down by 1/2 and their current dissipating ability is doubled. In other words, two 1/4 watt one thousand (1K) ohm resistors in parallel will have a new value of 500 ohms and be able to dissipate 1/2 watt of energy before bursting into flames! (Just kidding, they rarely burst into flames. But they can get hot enough to burn you if you do something wrong.)

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Other experiments included generating tone(s) using the PWM command – which is a powerful tool. I might use this command to control a stud welder I recently purchased from Craigslist.    For class we used this command to sound some tones.  With Classmates Justin and Corey, we worked on making a light-sensitive musical instrument.   The hardware was simple.  The code was also simple for reading one input.  We had trouble getting three to work at the same time.

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Hmmmmm….. now don’t these amazing things look interesting???

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(to be continued…)

Brancusi, imagined; not burned.

iPhone: the streamlined "I"

Funny thing about that best laid plans expression. Norah and I were waiting to use the laser cutter when its motherboard burnt out while the team before us was working.
220-to-targu-jiu
It might be said that we were derailed.

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Our presentation was in two days. Five minutes into a mild panic, we decided to cut our design by hand. Sometimes experience is a harsh teacher. Other times working in a manner that you did not first envision can be a process of discovery. That’s what happened for us.
Had we used the laser cut to create our parts, the challenge would have then been to accurately solvent bond the model’s edges, creating as nearly perfect a machine-made object as we could imagine. A streamlined object of perfect symmetrical beauty reflecting a self-referential existence. Removing the mark of the hand became the assumed goal in reproducing a signature work of art.
Why do we so want to be machines, to re-imagine our creative efforts to be without flaws, defect, or other marks of nature and process? I understand Minimalism, the machine-aesthetic, etc. it isn’t that I do not like the “look;” it is that I find it lacking. I found myself wondering when we might we move past our collective nineteenth century romance with conformity and return to an aesthetic which is less about sterile symmetry and more about the world in which we live.
Our ego is streamlined
We cut our cardboard, assembled our model with niobium wire, bits of drinking straws, glass and silver beads, magnets, and a judicious use of white tape. Instead of the joints being sealed, they were open; hinting at the possible life of the object as a light fixture.
Because of its imperfections and what we learned in the process, we found that we liked this finished work very much.

A solution as simple but not simpler…

“It can scarcely be denied that the supreme goal of all theory is to make the irreducible basic elements as simple and as few as possible without having to surrender the adequate representation of a single datum of experience.”
— Albert Einstein,  On the Method of Theoretical Physics

When I whined to Professor Rosenthal that my camera wouldn’t accept a white balance from something that was out of focus, what a pain it was to have to set the gray card down, and shoot from further than arm’s reach,  he deftly pulled out a sharpie, drew a black “X” from corner to corner of a gray card, presented it to me and said,
“There.  Now it will focus.”

Experience.  Genius.  Wisdom.

Thanks.

 

This is my Camera

The audio and/or video data acquisition device which I use at this moment is my camera.  There are many like it, but the one which I am using now is mine.
 I must master my camera as I must master my life.   Without my camera, I am unable to document family, friends, ideas, thoughts, and work.  Without my camera it would be as if I never existed at all.
My camera, without me, is useless.
I will continue to learn its accessories, components, lenses, limitations, operation, settings, sights,  strengths,  and weaknesses. I will keep my camera and kit clean and ready to serve at a moment’s notice or after meticulous planning.

My camera is as important to me as the life which I lead.  It is a constant ally, historian, mentor,  teacher, and witness.  My camera is a manifestation of the creator and destroyer of worlds as it can do both of these things.  Learning my camera is learning ten thousand things.

Like the woodsman with his axe, the rifleman and his weapon, Stelarc and his third ear, we have become part of each other.  We are inseparable. 
Nikon D800e
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